IndieJunior Porto Grand Prize<\/strong><\/h3>\nAwarded by the International Competition Jury (1.250\u20ac)<\/p>\n
A Stone in the Shoe<\/strong>
\nEric Montchaud, France, anim., 2020, 12\u2019<\/p>\n\u201cFor the clever mix of different animation techniques, the creation of a world built of symbols and visual metaphors that result in a clear narrative, and perceptible to the various audiences to whom it is addressed. By creating a discussion around themes about integration, migration and discrimination, in different life contexts.<\/em>\u201d<\/p>\nSpecial Mention<\/strong><\/p>\nLa Travers\u00e9e<\/strong>
\nFlorence Miailhe, France\/Germany\/Czech Republic, anim., 2021<\/p>\n\u201cFor the strength of personal history and the use of sketchbooks, for the portrait of the difficulties of crossings, of discrimination, told from a biographical perspective, the aesthetic beauty, the topicality of the theme and the impact produced.<\/em>\u201d<\/p>\nGabriela Trevisan
\n<\/strong>ProChild CoLAB Researcher against poverty and social exclusion<\/em><\/p>\n![\"\"](\"https:\/\/indiejunior.com\/wp-content\/uploads\/2022\/01\/gabrielatrevisan.png\")
<\/p>\n
Born in Porto, in 1975, she has a degree in Sociology of Organizations from the University of Minho. She worked as a sociocultural animator at the Funda\u00e7\u00e3o para o Desenvolvimento do Vale de Campanh\u00e3, Porto (1998-2001). She was an Adjunct Professor at the Paula Frassinetti School of Education (2001-2019). She is a Master in Childhood Sociology (Institute of Child Studies, University of Minho)
\nand a PhD in Child Studies, specializing in the Sociology of Childhood, within the scope of citizenship and child participation. She participates in different professional networks in the field of childhood sociology and has been coordinator of the Sociology of Childhood Thematic Section of the Portuguese Sociology Association since December 2018.<\/p>\n
She is currently a researcher at ProChild CoLAB, in Guimar\u00e3es. Research areas include the sociology of childhood, children’s rights, public policies for children, child poverty, community intervention, socio-educational work with children and young people and families.<\/p>\n
<\/p>\n
Jo\u00e3o Gonzalez
\n<\/strong>Directo<\/em>r<\/em><\/p>\n![\"\"](\"https:\/\/indiejunior.com\/wp-content\/uploads\/2022\/01\/joaogonzalez.png\")
<\/p>\n
Jo\u00e3o Gonzalez (Porto, 1996) is a director, animator, illustrator and musician, trained in classical music. He took his degree in Multimedia at ESMAD in Porto, where he
\ngraduated in 2017 and made, as a final course project, his first short film, \u201cThe Voyager\u201d, which features a live piano performance whenever possible, simultaneously with the screening of the film, by the director himself.<\/p>\n
Recipient of a scholarship from the Calouste Gulbenkian Foundation, in 2018 he entered the Masters in Animation at the Royal College of Art, in London, where he directed \u201cNestor\u201d as the first-year film of the course. Together, these two films have already received more than 20 National and International awards at film festivals, as well as more than 100 official selections at festivals around the world, some of which qualify for Oscars and BAFTAs. He is currently in the process of finalising his third film.<\/p>\n
<\/p>\n
Laura Gon\u00e7alves
\n<\/strong>Director<\/em><\/p>\n![\"\"](\"https:\/\/indiejunior.com\/wp-content\/uploads\/2022\/01\/lauragoncalves.png\")
<\/p>\n
Graduated from Animation course in Fine Arts Faculty, Lisbon in 2009, works for Sardinha Em Lata Studio as animator and final artist at \u201cJourney to Cape Verde\u201d, directed by Jos\u00e9 Miguel Ribeiro; “The Shoemaker” by David Doutel and Vasco S\u00e1 and “Independent Mind”\/ by Marta Monteiro. Also worked at “Who’s this Hat” by Joana Toste, Gomtch Gomtch; and \u201cM\u201d by Joana Bartolomeu, Bando \u00e0 Parte. In 2012 completes the MA Degree in Animation at Arts University College of Bournemouth, where she directs her first animation short “Three Weeks in December”.<\/p>\n
<\/p>\n
Impact Award by University of Porto<\/strong><\/h3>\nAwarded by the University of Porto Jury (1.000\u20ac)<\/p>\n
Dans La Nature<\/strong>
\nMarcel Barelli, Switzerland, anim., 2021, 5\u2019<\/p>\n\u201cFor the courage with which he illustrates a relevant, and often unfeasible, debate on sexuality, in a creative, original and taboos-free way. Its bold message has even more impact due to the film\u2019s excellent storytelling, which uses a refined sense of humor to dialogue with the target audience.<\/em>\u201d<\/p>\nDaniel Floquet
\n<\/strong>International PhD Student and Researcher<\/em><\/p>\n![\"\"](\"https:\/\/indiejunior.com\/wp-content\/uploads\/2022\/01\/danielfloquet.png\")
<\/p>\n
Daniel Damasceno Floquet is a PhD student in Literature at Faculty of Arts and Humanities of the University of Porto (FLUP). He currently holds a PhD scholarship, awarded by the FCT, supporting his dissertational project on the representations of violence in the novels of the Portuguese writer Maria Velho da Costa and the Irish writer Edna O’Brien, which is supervised by Prof. Dr. Rui Carvalho Homem and co-supervised by Prof. Dr. Ana Lu\u00edsa Amaral.<\/p>\n
He has also interest in gender studies, Portuguese and Brazilian Studies, Irish studies, and Comparative Literature in general. Prior to joining the PhD program at FLUP, he received a MA Degree from the same Faculty, and a Bachelor\u2019s Degree in Literature and Linguistics from Federal University of Ceara\u0301.<\/p>\n
Originally from Brazil, he has 10 years of experience as a Portuguese teacher, teaching Literature and Grammar to students from different ages.<\/p>\n
Joana Caetano
\n<\/strong>Researcher at CETAPS \u2013 FLUP<\/em><\/p>\n![\"\"](\"https:\/\/indiejunior.com\/wp-content\/uploads\/2022\/01\/joanacaetano.png\")
<\/p>\n
Joana Caetano is a PhD candidate at the Faculty of Arts and Humanities of the University of Porto (Portugal) and research member of CETAPS (Centre for English and Anglo-Portuguese Studies). She has published book chapters, articles and reviews in the areas of Utopian Studies, Anglo-American Studies and Food Studies.<\/p>\n
From 2016 to 2019, Joana Caetano was the research assistant of the ALIMENTOPIA \/ Utopian Foodways Project, a project on Utopia, Food and the Future, funded by the Portuguese Foundation for Science and Technology (FCT) and the European Programme Compete 2020.<\/p>\n
In 2019, Joana Caetano was granted a PhD scholarship by FCT to pursue her research on utopian foodways and gender in Ursula K. Le Guin\u2019s Hainish Universe. This PhD project is manifold, since it also entails outreach activities and the development of multimedia resources for non-academic audiences.<\/p>\n
Susana Serro
\n<\/strong>Collaborator of Casa Comum – Cultural Project of the University of Porto<\/em><\/p>\n![\"\"](\"https:\/\/indiejunior.com\/wp-content\/uploads\/2022\/01\/susanaserro.png\")
<\/p>\n
Susana Serro, born in Porto in 1973, was interested in the arts and discovering the world from a very early age. For this reason she has always lived torn between her two great passions: science and art. Despite her academic career having been in the field of science (graduated in Geology from FCUP), her growing interest in the visual arts has led her over the years to collaborate with several film festivals in the city. She started collaborating with the University of Porto in 2013, joining the Culture Unit team to develop educational and cultural service activities. Since the creation of Casa Comum, a cultural project of the U.Porto, she has coordinated several activities related to cinema and audiovisuals, establishing partnerships with the main festivals and national film shows.<\/p>\n
Audience Award for Best Film<\/strong><\/h3>\nAwarded by the audience (500\u20ac)<\/p>\n
\nEric Montchaud, France, anim., 2020, 12\u2019<\/p>\n
\u201cFor the clever mix of different animation techniques, the creation of a world built of symbols and visual metaphors that result in a clear narrative, and perceptible to the various audiences to whom it is addressed. By creating a discussion around themes about integration, migration and discrimination, in different life contexts.<\/em>\u201d<\/p>\n Special Mention<\/strong><\/p>\n La Travers\u00e9e<\/strong> \u201cFor the strength of personal history and the use of sketchbooks, for the portrait of the difficulties of crossings, of discrimination, told from a biographical perspective, the aesthetic beauty, the topicality of the theme and the impact produced.<\/em>\u201d<\/p>\n Gabriela Trevisan Born in Porto, in 1975, she has a degree in Sociology of Organizations from the University of Minho. She worked as a sociocultural animator at the Funda\u00e7\u00e3o para o Desenvolvimento do Vale de Campanh\u00e3, Porto (1998-2001). She was an Adjunct Professor at the Paula Frassinetti School of Education (2001-2019). She is a Master in Childhood Sociology (Institute of Child Studies, University of Minho) She is currently a researcher at ProChild CoLAB, in Guimar\u00e3es. Research areas include the sociology of childhood, children’s rights, public policies for children, child poverty, community intervention, socio-educational work with children and young people and families.<\/p>\n <\/p>\n Jo\u00e3o Gonzalez Jo\u00e3o Gonzalez (Porto, 1996) is a director, animator, illustrator and musician, trained in classical music. He took his degree in Multimedia at ESMAD in Porto, where he Recipient of a scholarship from the Calouste Gulbenkian Foundation, in 2018 he entered the Masters in Animation at the Royal College of Art, in London, where he directed \u201cNestor\u201d as the first-year film of the course. Together, these two films have already received more than 20 National and International awards at film festivals, as well as more than 100 official selections at festivals around the world, some of which qualify for Oscars and BAFTAs. He is currently in the process of finalising his third film.<\/p>\n <\/p>\n Laura Gon\u00e7alves Graduated from Animation course in Fine Arts Faculty, Lisbon in 2009, works for Sardinha Em Lata Studio as animator and final artist at \u201cJourney to Cape Verde\u201d, directed by Jos\u00e9 Miguel Ribeiro; “The Shoemaker” by David Doutel and Vasco S\u00e1 and “Independent Mind”\/ by Marta Monteiro. Also worked at “Who’s this Hat” by Joana Toste, Gomtch Gomtch; and \u201cM\u201d by Joana Bartolomeu, Bando \u00e0 Parte. In 2012 completes the MA Degree in Animation at Arts University College of Bournemouth, where she directs her first animation short “Three Weeks in December”.<\/p>\n <\/p>\n Awarded by the University of Porto Jury (1.000\u20ac)<\/p>\n Dans La Nature<\/strong> \u201cFor the courage with which he illustrates a relevant, and often unfeasible, debate on sexuality, in a creative, original and taboos-free way. Its bold message has even more impact due to the film\u2019s excellent storytelling, which uses a refined sense of humor to dialogue with the target audience.<\/em>\u201d<\/p>\n Daniel Floquet Daniel Damasceno Floquet is a PhD student in Literature at Faculty of Arts and Humanities of the University of Porto (FLUP). He currently holds a PhD scholarship, awarded by the FCT, supporting his dissertational project on the representations of violence in the novels of the Portuguese writer Maria Velho da Costa and the Irish writer Edna O’Brien, which is supervised by Prof. Dr. Rui Carvalho Homem and co-supervised by Prof. Dr. Ana Lu\u00edsa Amaral.<\/p>\n He has also interest in gender studies, Portuguese and Brazilian Studies, Irish studies, and Comparative Literature in general. Prior to joining the PhD program at FLUP, he received a MA Degree from the same Faculty, and a Bachelor\u2019s Degree in Literature and Linguistics from Federal University of Ceara\u0301.<\/p>\n Originally from Brazil, he has 10 years of experience as a Portuguese teacher, teaching Literature and Grammar to students from different ages.<\/p>\n Joana Caetano Joana Caetano is a PhD candidate at the Faculty of Arts and Humanities of the University of Porto (Portugal) and research member of CETAPS (Centre for English and Anglo-Portuguese Studies). She has published book chapters, articles and reviews in the areas of Utopian Studies, Anglo-American Studies and Food Studies.<\/p>\n From 2016 to 2019, Joana Caetano was the research assistant of the ALIMENTOPIA \/ Utopian Foodways Project, a project on Utopia, Food and the Future, funded by the Portuguese Foundation for Science and Technology (FCT) and the European Programme Compete 2020.<\/p>\n In 2019, Joana Caetano was granted a PhD scholarship by FCT to pursue her research on utopian foodways and gender in Ursula K. Le Guin\u2019s Hainish Universe. This PhD project is manifold, since it also entails outreach activities and the development of multimedia resources for non-academic audiences.<\/p>\n Susana Serro Susana Serro, born in Porto in 1973, was interested in the arts and discovering the world from a very early age. For this reason she has always lived torn between her two great passions: science and art. Despite her academic career having been in the field of science (graduated in Geology from FCUP), her growing interest in the visual arts has led her over the years to collaborate with several film festivals in the city. She started collaborating with the University of Porto in 2013, joining the Culture Unit team to develop educational and cultural service activities. Since the creation of Casa Comum, a cultural project of the U.Porto, she has coordinated several activities related to cinema and audiovisuals, establishing partnerships with the main festivals and national film shows.<\/p>\n Awarded by the audience (500\u20ac)<\/p>\n
\nFlorence Miailhe, France\/Germany\/Czech Republic, anim., 2021<\/p>\n
\n<\/strong>ProChild CoLAB Researcher against poverty and social exclusion<\/em><\/p>\n<\/p>\n
\nand a PhD in Child Studies, specializing in the Sociology of Childhood, within the scope of citizenship and child participation. She participates in different professional networks in the field of childhood sociology and has been coordinator of the Sociology of Childhood Thematic Section of the Portuguese Sociology Association since December 2018.<\/p>\n
\n<\/strong>Directo<\/em>r<\/em><\/p>\n<\/p>\n
\ngraduated in 2017 and made, as a final course project, his first short film, \u201cThe Voyager\u201d, which features a live piano performance whenever possible, simultaneously with the screening of the film, by the director himself.<\/p>\n
\n<\/strong>Director<\/em><\/p>\n<\/p>\nImpact Award by University of Porto<\/strong><\/h3>\n
\nMarcel Barelli, Switzerland, anim., 2021, 5\u2019<\/p>\n
\n<\/strong>International PhD Student and Researcher<\/em><\/p>\n<\/p>\n
\n<\/strong>Researcher at CETAPS \u2013 FLUP<\/em><\/p>\n<\/p>\n
\n<\/strong>Collaborator of Casa Comum – Cultural Project of the University of Porto<\/em><\/p>\n<\/p>\nAudience Award for Best Film<\/strong><\/h3>\n